Showing posts with label Visual Arts. Show all posts
Showing posts with label Visual Arts. Show all posts

Monday, March 16, 2015

Experimenting in 3D Fish Galore!

http://teresayoung.artistwebsites.com/
Haida Fish by Teresa Young
 I haven't written a post here for over a year, and I thought I'd catch up. Lately, I've been experimenting around with my art, stretching my boundaries, trying to figure out what works for me at this stage in my evolution.

It started with the Haida Fish I painted for the Peggy's Cove Festival of the Arts 'Go Fish' competition last year. I really enjoyed that and thought I'd pursue that road for a bit. I met Jerry Walsh, the artisan who does the fish sculptures and we decided to collaborate.
Which was really great! Jerry is a wonderful and versatile artist who has great ideas.

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Friday, September 5, 2014

More Art in 2014

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African Dreams by Teresa Young
11x14 in, acrylic on canvas.



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Bubble Floats by Teresa Young11x14 in, acrylic on canvas.


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Primary Calls by Teresa Young60 x 80 cm, acrylic on canvas.


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Darkness Rolls by Teresa Young16x20in, acrylic on canvas.


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Divine Dance by Teresa Young16x20in, acrylic on canvas.


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Freedom of Imagination by Teresa Young16x20in, acrylic on canvas.


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Lavender Skies by Teresa Young16x20in, acrylic on canvas.


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Liberty in Shadows by Teresa Young16x20in, acrylic on canvas.


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Retrieving My Roots by Teresa Young16x20in, acrylic on canvas.





Saturday, January 19, 2013

First Post of 2013!

It's been quite a while since I've written a post here, what can I say, I thought I'd concentrate on painting for awhile, as I spent so much of 2012 sick, I didn't really paint as much as I normally do.

So, in mind of that, I'm going to put some of the artwork I've managed to create since beginning of November (my last post) here.



http://teresayoung.artistwebsites.com/
Abstract Entity by Teresa Young
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Abstract Reality by Teresa Young
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Coalescence by Teresa Young


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Effervescent by Teresa Young


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Elegant Oddity by Teresa Young


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Dreams of Lothlorien by Teresa Young


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Emotional Baggage by Teresa Young


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Flowing Fractal by Teresa Young


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It's All Connected by Teresa Young


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Living In a Jumble by Teresa Young


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Symbology Revisited by Teresa Young


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Nostalgic Reverbations by Teresa Young


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Molten Gold by Teresa Young


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Shadowed Shauna by Teresa Young


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The Weight of Tradition by Teresa Young


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Translocation Through the Mind of a Dreamer by Teresa Young


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Vertigo by Teresa Young



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Weird and Wonderful by Teresa Young

Wednesday, July 14, 2010

When You Have No Choice

 
http://www.teresa-young.net/
http://www.teresa-young.net/I know it sounds strange, but for me, art can occur in many ways.

Sometimes, it just feels like a tap that I open and the creativity flows out through me into the artwork, something like a stream of conciousness thing...
The pieces surrounding this paragraph occurred this way... 
http://www.teresa-young.net/Sometimes, an idea occurs to me that I want to experiment with just to see how it would work out. 

After a family vacation where I drove down through Washington and Oregon, I was fascinated by the patterns in the shells I saw and wanted to see if I could incorporate them into paintings... 

http://www.teresa-young.net/I still really like that idea and I might go back to it and try again, who knows....
I saved some shells, and I think I could probably do more with it than I did...
Anyway, back to my point here.  I have some paintings that don't seem to want to be completed, and they can sometimes work out very well, or die an early death (in my eyes, anyway!).  Some of my own paintings I don't like, just like anyone else, I have favourites.  I have been known to give up on certain paintings and just paint over them and try something else.

Some pieces can change quite dramatically as they metamorphisize into something other than what they started out to be.  There are wishy washy paintings, and then there's another group that is very different.  They are images that pop into my head and just keep coming back to me like they won't be dismissed.

This is fairly rare, actually, I'll know an image wants to be created if it keeps coming back like a repeating dream.  I can count these images and they generally stand out for me.
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In the last few days, It's happened again, and I literally had to do some research into anatomy and musculature in order to execute a rendition of the image that keeps appearing in my brain!

I've managed to do a first run at it, and I'm pretty happy with how it looks, but it's not finished.  I've reached that point where there's a freshness and power to it that I could lose if I overwork it.  Sigh.  You see what I mean, I like it the way it is (see below), but I think I'll leave it alone until I figure out whether I want to elaborate on it or not...

 http://www.teresa-young.net/
Images by Teresa Young:
1. Flight of the Humblebee - April 2002,  2. Blue Abstract - June 2002,  3. Oregon Coast - August 2002,  4. Blue Emotions- July 2002,  5. Flight of Fantastic - November 2001,  6. Queen of Thorns - August 2009,  7. Emergence - September 1998,  8. Exposing Your Inner Child - in progress.   

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Friday, May 14, 2010

Ruminations About Art And It's Context

 
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Like everyone else out here in cyberspace, I follow blogs in my areas of interest and recently, I started commenting on some of them.  Just a couple, sort of like putting your toe in that cold water for your first swim of the year outside!

It's interesting to be part of a comment stream if you're not all that used to it...

http://www.teresa-young.net/You can end up being a small part of a discussion that is riveting because it's something that speaks to you on a personal level... Unfortunately, since it's someone else's forum, you are really free to explore the line of thought deeply, the discussion is soon over... 

This is where having your own blog can really come in handy!

On Edward Winkleman's recent blog on 'You can't take it with you, so it's about what you leave' I enjoyed the comment stream so I made the following comment:

"Continuing in the vein of thought presented, I'm going to express something I firmly believe in as an artist is that artist's express based on their personal context in their culture and generation.
Which means in my eyes that an artist is being a conduit of expression for that period of time in their own way...
Whether they do that successfully or not, suceeding generations can often figure it out through hindsight, but at the very least making the effort in the first place is valuable.
I'm thinking the context of a piece of art with reference to the artist and their life on a personal level and the context of their times could greatly enhance the experience of the audience for that artwork."

I'd like to expand on the thought I expressed with this blogpost, since it's something I'm interested in on a personal level!

What I was talking about with regards to artwork when I mean context is basically what surrounds the artist at the point in time the art piece was created... 

IE:  It can be general things like their location (North America, Canada, Europe...); gender (obvious but can have a major effect); or less general factors such as their personal history which will affect what cultural groups that they belong to and the language of their personality.

For instance, I'm female, live in Canada, and my personal history includes things like divorce (mine), parenthood and a non-traditional career..

This can affect the 'language' of my artwork in many ways. 
http://www.teresa-young.net/For instance, as a female in a general, cultural context I have an interest in independence and growth of a distinct identity. This is very common among women of my age group in North America as we've basically come into our own in recent decades.  This general message and context is expressed well in 'Emergence'... 
The personal context of that piece is also that I was recently separated and just starting the process of divorcing when I painted the picture and I was truly finding my way as a separate person from my previous life!

Now it might represent something else for other people viewing the piece, but it can have the added dimension of my context as well as theirs depending on what the mood of the audience at that point in time.  Usually what happens is the viewer experiences the painting within their own context and reacts to it on that level...  What I'm thinking is that knowing the artist's context could enrich the piece for the audience in a very real way and give a richer experience.

http://www.teresa-young.net/Let's do it again...

'The Spirit of the Wolf' relates to general feelings of the symbology of the wolf in our culture and how it can be used to express the feeling of being free and unfettered.  One interpretation, anyway.  This is just an example, I'm not really trying too hard on the general interpretation here, just using what I come up with off the cuff for illustration purposes...

In the personal context of me, the artist, the painting is about freedom (again!) within the context of emerging into a more independent identity through divorce, etc,  but, it also heavily relates to the fact that my great grandmother was a Cree Indian in Manitoba and you can see the animal spirit guide roots in this piece in particular.

Images by Teresa Young:
1. Painted Window - May 2010,  2. Unnamed Abstract - Dec.09,  3. Salmon Arm - Sep.96 (photo),  4. Prospect Cove - Mar.2010 (photo),  5. Emergence - Sep.98,  6. Spirit of the Wolf - Jun.01.
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